Past productions
Wild, witty and painfully perceptive
The Stage on Shuck’n’Jive at Soho Theatre
Ambitious, original and playful
Exeunt on Shuck’n’Jive at Soho Theatre
(Director)
(Translator, Director)
(Curator, Director)
(Associate Director)
(Librettist)
West Green House Opera
(Writer)
(Co-director)
(Director)
(Staff Director)
(Producer)
(Co-writer, Musical Director)
Glyndebourne Festival Opera
(Staff Director)
(Associate Producer)
(Co-writer, Director)
(Co-director)
(Director)
(Staff Director)
(Trainee Director)
(Director)
The Bridewell Theatre
(Co-writer, Co-director)
(Assistant Director)
(Co-director)
(Writer, Co-director)
(Co-director)
The merging of different art forms is spell-binding
The Reviews Hub on A Tale of Orpheus and Eurydice with Opera North
The director told her story through the small details: the fretting, flickering fingers of Lauren Easton’s elderly Juliana Bordereau, picking out a jerky tattoo on the arms of her wheelchair; the too-smooth movements of Jacob Bettinelli’s Henry Jonson, deliciously underscored by the bluesy strut of the orchestral writing whenever he spoke of his quest; the awkward desire of Alison Buchanan’s Tina
Opera Magazine on The Aspern Papers with Pegasus Opera
Fierce, fearless and cerebral
The Guardian on Shuck’n’Jive at Soho Theatre
Simone Ibbett-Brown 